Not sure a performance class or company is for you? Here are some reasons to give it a try:
Raqs Caravan and Raquettes student companies perform ensemble choreographies at three annual Sahara Dance productions: the "Under a Desert Moon" gala in the spring, the "Sahara Dance Carnival" show in the summer, and the "Sahara Dance Soiree" in the fall.
Members grow and develop as dancers through the process of mastering performance pieces for stage. This process includes the camaraderie of creating a company with fellow dancers, the committed practice of weekly technique training and rehearsals, and the dedicated feedback and support from company directors.
Company membership is tailored for students pursuing their potential as performance artists while enjoying the sisterhood of sharing the experience on stage.
Company members purchase a company costume(s), which will be used for performance each semester. Choreographies, song selections, and props rotate each semester to incorporate the range of music and dance stylizations inherent in each company.
Returning members will be given first priority for available spaces. New members may join at the start of each semester, with permission of company director.
Questions? See the FAQ at the bottom of this page.
New start date: Begins Sat Jan. 14, 1:00-2:00pm
Step back in time to restage the Raqs Sahara choreography in tribute to Bob Fosse’s musical Chicago. Originally performed at Saharabesque in 2008, enjoy donning feathers, pearls and fringe-laden flapper costuming to perform a crowd-pleasing, high energy and sassy piece. Costuming will be kept under $100, including black character shoes.
This performance class is open to Low Intermediate dancers and above; choreography should challenge all levels.
1) Completion of Sahara Dance Low Intermediate I Technique, or above; and
2) Simultaneous enrollment in Low Intermediate I Technique, or above
Designed for students who have completed Sahara Dance Beginner I technique and wish learn an ensemble dance for stage performance. Master a choreography that draws upon the Sahara Dance Beginner I curriculum and begins introducing elements from the Beginner II movement repertoire. Ideal for students wanting to try out the camaraderie of group performance and hone their foundational dance technique.
1) Completion of Sahara Dance Beginner I Technique, or equivalent; and
2) Simultaneous enrollment in Beginner II Technique class
Open the show with a revival of the dramatic entrance piece “Desert Dance Floor” from UDM10. Close the show with an all new upbeat drum solo accompanied by live drumming from special guest Karim Nagi of Turbo Tabla. Be part of a dazzling array of dancers joyfully entering and exiting the stage in two dynamic, grand and captivating choreographies.
Optional sections will include Isis wings, veil, zills, sword, assaya (cane), samba-fusion and more! Learn the opening and closing pieces in 8 classes over the course of the 16-week spring semester (i.e., each student will be scheduled for only 8 classes within the spring semester depending on sections and props being performed. Schedule TBD on the first day of class). Costuming will draw largely, if not entirely, upon performer-owned costume wardrobes (current/past company costumes, hip scarf collections, etc…).
1) Completion of Sahara Dance Beginner II Technique, or above; and
2) Simultaneous enrollment in a technique class
Fan veils are versatile and mesmerizing props often used to add elegance, mystery, and drama. Unveiled is a dynamic choreography that includes fan veils, a drum solo section, and an enchanting taqsim. This performance class is open to Intermediate dancers and above; choreography should challenge all levels.
1) Completion of Sahara Dance Intermediate Technique, or above; and
2) Simultaneous enrollment in any Sahara Dance Intermediate Technique class or above
Raquettes Amira is a Sahara Dance student company dedicated to learning the fundamentals of American Tribal Style (ATS) belly dance for stage.
Developed by Carolena Nericcio of Fat Chance Bellydance, ATS belly dance is rooted in traditional raqs sharqi and fused with modern dance, flamenco, and styles of Indian dance. ATS belly dance first dazzled audience at the Amira restaurant in 1980’s San Francisco. This improvisation-based format places special focus on a shared vocabulary and tight formations, which allows members to engage and interact with each other in a new and exciting ways, and dance in tiny spaces like the Amira once was.
1) Previous completion of American Tribal Style (ATS) Technique class (or equivalent); and
2) Simultaneous enrollment in American Tribal Style (ATS) Technique class; and
3) Permission of Company director (Eugenia).
Raquettes Kitty is a Sahara Dance student company dedicated to enhancing belly dance skills for stage and mastering the Low Intermediate / Intermediate curriculum, and is home for students seeking to further develop as belly dance performers.
Raquettes Kitty honors Alexandria-born dancer Katy Fotsaty by incorporating versatile styling, elegance and playful movements. Special focus is placed on polished and elegant movement execution, stage charisma, traveling steps, layering and use of props.
Choreographies may include props.
1) Previous completion of Low Intermediate / Intermediate Technique class (or equivalent); and
2) Simultaneous enrollment in any Sahara Dance Low Intermediate / Intermediate Technique class or above; and
3) Permission of the company director (Melissa)
Raquettes Latin is a Sahara Dance student company dedicated to blending Latin and belly dance styles for stage performance. Combine sassy belly dance shimmies with meringue, salsa, cumbia, cha-cha, reggaeton, bachata and more in this high-energy fusion performance company. Students will layer belly dance movements onto Latin dance rhythms to create an exciting and eclectic choreography (with lots of hip shimmies!).
1) Previous completion of Intermediate Technique class (or equivalent); and
2) Simultaneous enrollment in Intermediate Technique; and
3) Permission of Company director (Julie).
Raquettes Nadia is a Sahara Dance student company dedicated to mastering the Intermediate - Intermediate/Advanced curriculum for stage performance.
Nadia Gamal, known as “The Queen of Bellydance,” was highly revered for her graceful movements, extensive use of footwork, and dynamic stage performances. She influenced many dancers including Ibrahim Farrah, and is often credited with originating and inspiring the modern Lebanese stylization of raqs sharqi.
Raquettes Nadia members practice the stylistic nuances for performing Egyptian-inspired dance with an emphasis on graceful movement, flow, and dynamic expression.
Choreographies may include props.
1) Previous completion of Intermediate/Advanced Technique class (or equivalent); and
2) Simultaneous enrollment in Sahara Dance Intermediate / Advanced Intensive (75 min) class; and
3) Permission of Company director (Jennifer).
Raquettes Naima is a Sahara Dance student company dedicated to mastering the Intermediate curriculum for stage performance.
Naima Akef, considered by many the greatest Egyptian dancer of the Golden Era, was renown for her impressive technique, versatility, and stage savvy.
Raquettes Naima members practice the stylistic nuances for performing Egyptian dance with a broader movement repertoire and dynamic expression.
Special focus is placed on polished and confident movement execution, intricate layering, personal expression and mastery of complex choreographies.
1) Previous completion of Intermediate Technique class (or equivalent); and
2) Simultaneous enrollment in any Sahara Dance Intermediate Technique or Intermediate / Advanced Technique class or above; and
3) Permission of Company director (Randa) or your current Sahara Dance teacher.
Raquettes Samia is a Sahara Dance student company dedicated to enhancing belly dance skills for stage and mastering the Low Intermediate curriculum.
Honoring Samia Gamal (“Egypt’s national dancer”), Raquettes Samia highlights expressive styling, and is home for students seeking to further develop as belly dance performers.
Special focus is placed on polished and confident movement execution, stage presence, traveling steps, and layering.
1) Previous completion of Beginner II Technique class (or equivalent); and
2) Simultaneous enrollment in any Sahara Dance Low Intermediate Technique class or above
Raquettes ShimmyPop is a Sahara Dance student company dedicated to learning the fundamentals of urban fusion belly dance for stage.
Specific attention is given to merging traditional belly dance technique with modern urban and retro funk styles (popping and locking).
1) Previous completion of Low Intermediate I Technique class (or equivalent); and
2) Simultaneous enrollment in Sahara Dance Urban Fusion Technique class
Raquettes Tahia is a Sahara Dance student company dedicated to introducing performance props for belly dance stage pieces.
Inspired by the beloved belly dancer, Tahia Karioka, Raquettes Tahia members explore the enchanting world of belly dance performance props, including earthy beledis with zills (finger cymbals), elegant entrances with veil or Isis wings, captivating taqsims with balancing props, and saucy Sa’idi with assayas (cane or stick).
Special focus is placed on comfort and ease performing with props as a natural extension of each dancer’s repertoire.
1) Previous completion of Low Intermediate II Technique class (or equivalent); and
2) Simultaneous enrollment in Sahara Dance Low Intermediate III or Intermediate Technique class or above (concurrent enrollment in relevant prop technique class may be required, depending on needs of student and company); and
3) Permission of Company director (Omoladun) or your current Sahara Dance teacher.
Let’s prepare for Feria! This regional dance of Seville is performed in schools, parties, weddings, bars, and of course the annual Spring Fair. Danced in four short sections called coplas, Sevillanas are known for their charismatic, lively gracefulness. Each copla ends with a sudden stop as dancers strike a pose, inspiring the audience to shout ¡Ole!
Beginners will learn basic steps and how to join in the fun with palmas (hand clapping) and jaleos (shouts of encouragement), while more advanced dancers will refine their skills for stage.
Note: Although this is similar to last Spring’s Sevillanas performance series, we will add in the habaníco (fan) which is an entirely new technique, so don’t worry this is all fresh material!
Celebrate the birth of tribal fusion, a fresh and new, yet strangely familiar dance form that continuously grows and evolves. Let’s pay homage to the long lineage of tribal fusion greats, finding inspiration from Rachel Brice, Sharon Kihara and many, many more.
We’ll play with interesting staging, partner work, plenty of isolations, combos, and snakey goodness. Grab your yarn belts and harem pants and let’s go!
1) Previous completion of Intermediate Technique class (or equivalent); and
2) Simultaneous enrollment in any Sahara Dance Intermediate/Advanced Technique class
Q: How do Raquettes Companies differ from performance classes?
A: Performance classes are offered for one semester only. Companies are dedicated troupes with an ongoing focus, artistic direction, and regular performance opportunities. As company members, students will benefit from:
Q. How do Raqs Caravan companies differ from Raquettes companies?
A: Raqs Caravan company members are the Intermediate / Advanced dancers within the studio and have an expansive repertoire, including props. As such, Raqs Caravan companies (East, West, Folklore, and soon Urban(!)) are the featured companies of the Sahara Dance Community Outreach Program. Members of these companies are leaders within the Sahara Dance community and are our belly dance ambassadors outside the studio.
These companies develop an extensive repertoire of two to three choreographies each semester, with weekly weekend rehearsals. Company members are also featured soloists at the “Raqs Caravan Showcase” and throughout the year at Sahara Dance Salons. Membership for Raqs Caravan companies is by invitation from company directors. Students are often selected from within Raquettes Repertoire, Raquettes Naima, Raquettes Tribaret, and Raquettes Beledi companies.
Q: Which company should I join?
A: In order to build a strong foundation, we suggest asking your teacher for placement recommendations and following the prerequisites for each company. Performing at a level that is below your current technique level will help you to build a strong dance foundation. Sometimes students are excited to jump into the most challenging company, however it is often better to master movements within your range before moving on.
Remember: dancing not a destination, but a process to be enjoyed. Stylistic differences in companies will vary greatly based on company directors, particularly at the LI level and above. You may choose to dance in several companies simultaneously or at each level with several teachers. We recommend spending time performing in different upper level companies, to round out your dance influences and benefit from direction of multiple choreographers.
Q: Can I sign up for a Raquettes company at my level, or do I need to ask permission first?
A: If you have completed the prerequisites you can sign up for Raquettes Badia and/or Raquettes Samia. If you would like to join Raquettes Tahia, Raquettes Naima and/or Raquettes Beledi you need the permission of your current teacher or the company director. If you would like to join Raquettes Repertoire and/or Raquettes ShimmyPop you need the permission of the company director.
We recommend asking your teacher for placement recommendations and performing at a level that may be below your current technique abilities (as this will help you build the strongest dance foundation).
Q: When I join a company, do I have to commit to the company for more than one semester?
A: No. While you will benefit by working at length within one company and with one teacher, you may join for just a semester (year long commitments are not required). Because each company’s themes take time to be fully developed and absorbed, our intention is for students to perform within a company for several semesters. You can also join, or return to, a company for review. Students currently enrolled in a company will be given priority for available spaces each semester.
Q: Do I have to progress from one company to another in a certain order?
A: Not necessarily. As long as you have fulfilled the company prerequisites and have permission of the director, you may progress at your own pace, and in your preferred track. In fact, we recommended that students at the LI level and above consider all companies equally and select the company (and theme) that is most appealing. Spending time brushing up on props, technique, or expressiveness in a level below yours will improve your dancing.
Sometimes it’s helpful to take a step back in order to move forward… learning a dance isn’t necessarily a linear process and insights can emerge from a meandering path. It is most important to choose the path that is best for you, at this time, in consultation with your teacher.
Q: Can I be a member of multiple performance companies?
A: Yes, as long as you are able to meet the class commitments for each company. While there is a great benefit to working at length with one teacher, we also recommend working with other teachers and stylization as much as possible. Exposure to and experience with different styles will help you develop your own individual dance persona. The more performance practice, the better!
Q: What is the time weekly time commitment for participating in a company?
A: We anticipate that each company will have an optional one-hour rehearsal in addition to the two hours for technique and company classes. Companies may choose to rehearse more than one hour a week. Regular rehearsal attendance is encouraged, but not mandatory.
Q: Will Raquettes companies of the same name (e.g., Raquettes Badia (Downtown), Raquettes Badia (Central), and Raquettes Badia (Virginia)) learn the same choreographies?
A: No. Each company of the same name is working within the same level. The choreographies and themes will be unique and based on the visions of the company directors, in consultation with company members, and Rachel.
Q: What are the company costumes?
A: They haven’t been selected yet. The company costumes will be set at the beginning of the semester, in consultation with company members.
As founding members of the new companies, your input will help set the base costume for your company! Simple and inexpensive updates (such as changing a hip scarf) may be considered at the start of each semester. When selecting costume options, we will consider company member preferences, cost, versatility for company repertoire, flattering fit, stunning stage look, variety with other companies, and functionality. Additional costumes may be added as necessary, in consultation with existing company members.
Q: If I don’t want to perform now, may I join a company in the future?
A: Yes, as space is available. You may join a company whenever you choose, as long as you meet the prerequisites and have the permission of the company director. Beginning in the summer 2010 semester permission of the director will be required for all companies.
Q: Will companies continue to meet at the same time slot and location each semester? Will the company director stay the same?
A: We intend to keep companies in the same slots where they are currently set, however this is subject to studio availability, teacher availability and enrollment. We hope to add additional companies over time ;).
Q: How will we receive feedback and evaluations from company directors?
A: Ask questions! All Sahara Dance teachers and company directors are happy to help you achieve your dance goals. Each student will have her own goals or reasons for joining a company. Some may simply want to show up and dance their hearts out each week, with no particular objectives in mind. Others may have set goals related to props, technique, expression, or musicality. Company directors will help tailor the dance company experience to best meet members’ individual and collective goals.
Q: I took Beginner I Technique twice and my teacher said I can go on to Beginner II Technique. Since this is my first time in Beginner II, may I sign up for Raquettes Badia?
A: Raquettes Badia is for students who have completed Beginner II Technique at least once. New students at the Beginner II level should join a Beginner I / Beginner II performance class.
Q: Do I need to take Low Intermediate II and Low Intermediate III before taking Intermediate Technique class?
A: No. You can take an Intermediate Technique class once you have mastered the Low Intermediate movement vocabulary. However, participation in Raquettes Tahia, Raquettes Beledi, or Raquettes Repertoire, Low Intermediate II & III are required (in addition to permission of company directors or recommendation of your current teacher).
Q: Do I need to take Low Intermediate II and Low Intermediate III before joining Raquettes Naima?
A: No. As long as you have completed Intermediate Technique and have the permission of the company director or the recommendation of your teacher, you may join Raquettes Naima.